Historic Cylinder Recordings
These early acoustic recordings serve as a vital link to our cultural and technological past. This paper was written for Michael Friend’s Archeology of the Media course.
Whose Film Is It?
Who has the right to make changes to a feature film after its initial release? An ethical exploration from colorization and George Lucas syndrome. This is from my first MIAS class, History and Philosophy of Moving Image Archiving.
Pride in Film
Techniques and their applications in advocacy filmmaking. This was the final paper in Professor Robert Rosen’s course Narrative Structures and Social Change.